Essay Sample on “A View from the Bridge” by Arthur Miller

Essay Sample on â€Å"A View from the Bridge† by Arthur Miller A View from the Bridge was written by Arthur Miller from new york, before A View from the Bridge Arthur miller wrote many other plays which were also success storys but some weren’t â€Å"a death of a salesman,† which didn’t have a narrator in it so the audience didn’t immediately understand the meaning of the play when it was first performed on stage. A View from the Bridge used Alfieri as the narrator so the audience understood the play with alfieri and the message of the play which was to compromise in life which Eddie failed to do and the message was more clear.Some of Millers plays such as â€Å"the man who had all the luck† weren’t successes. Many of hundreds of years ago, the ancient greeks produced Greek tragedy.alfieri is connected to Greek tragedy because in a view from the bridge Arthur Miller uses a narrator which in Greek culture is a chorus which is the role of alfieri. A View from the Bridge ends in a tragic ending where rodolpho stabs  Eddie the main hero in the play. Trajedy is a type of drama composed in the Athens in the 6th century. A View from the Bridge uses Alfieri as the narrator who tells the story to the audience.Althought he is a narrator he doesn’t just tell the story and the meaning of the play but he also tells the audience of the time and place of every event that takes place. â€Å"On December 27th I saw him,† Alfieri talks about Eddie when he comes to see him. By talking to the audience he makes it more clear of what is happening and makes the meaning of the play more explicit. He also comments on the action in a previous scene and gives hints as to what is happening next. Alfieri is a lawyer as well as a narrator at the same time. In A View from the Bridge Alfieri is a wise and intelligent character, unlike Eddie who thinks that being manly is very important and Eddie even tries to challenge rodolpho, when rodolpho asks Eddie to hold a chair up from it’s leg but Eddie cant and rodolpho manages to.alfieri doesn’t need manliness he has inner strength because he is very wise and strong minded. â€Å"Eddie im a lawyer’† alfieri hears both sides of the story.e.g when Marco falls in love with Catherine and he wants to marry her but eddy is very against it, and asks Alfieri for legal advice about it. But alfieri just says that there is nothing wrong about a marrying a immigrant. Alfieri’s character is to work out what is right and wrong, and as a lawyer he is there to make peace. In A View from the Bridge Alfieri tries to sort out eddy problems. Eddie is a very much against Marco marrying Catherine and goes to alfieri for help.alfieri helps people by compromising and hearing both sides of the story. Alfieri is a smart man with a intelligent mind. Alfieri compared to other characters in the a view from the bridge speaks proper English because he is well educated. â€Å"Yes we eat very good on the boats,†Marco says this quote. â€Å"Wait a minute†¦ which is†¦ I mean its allright†¦ I mean you know what I mean? This is eddies quote. â€Å"Im inclined to notice the ruins in things,†compared to Marco and Eddie, Alfieri is much more articulate. A View from the Bridge is a play with an audience, alfieri is a bridge between the audience and the characters, because for the characters he is a lawyer and for the audience he is a lawyer and a narrator. Alfieri also helps the characters make the right decision and points them to the right direction that is what his role as a lawyer is. Alfieri has the perspective of knowing everything. Alfieris theme is to make the mood of the play moving. Alfieri hears both sides of the story. In the community Alfieri is a most respected. Arthur Miller put Alfieri into this play as a lawyer because a lawyer can talk to the characters and give them advice. Alfieris feelings towards Eddie are sympathetic. Eddie confides in Alfieri and asks him what he should do; Alfieri wants Eddie to let Catherine marry Marco. The audience must be thinking that Eddie isn’t compromising and being very selfish. Alfieri tries to make Eddie compromise, and reveals eddies feelings, and inner most thoughts through their conversations.alfieri tries to make Eddie see sense. â€Å"She can’t marry you, can she?†He also sees eddies feelings for catherince, and Alfieri sees that Eddie is a desperate man, so desperate, hell do anything. Its the point where Eddie realises that the only way he can stop the marriage is by calling the immigration officers and he does and Marco and rodolpho are taken by the immigration. At the speech Alfieri says â€Å"he allowed himself to be wholly known and for that I will love him more than my sensible clients. He means that even though Eddie was wrong he still believed in himself and if he wanted something he would go for it. You can order a custom essay, term paper, research paper, thesis or dissertation on A View from the Bridge   topics at CustomWritings.com professional custom essay writing service which provides students with high-quality custom written papers at an affordable cost.

Definition of Suprasegmental With Examples

Definition of Suprasegmental With Examples In speech, suprasegmental refers to  a phonological property of more than one sound segment. Also called nonsegmental. As discussed in the examples and observations below, suprasegmental information applies to several different linguistic phenomena (such as pitch, duration, and loudness). Suprasegmentals are often regarded as  the musical aspects of speech. The  term suprasegmental  (referring to functions that are over vowels and consonants) was coined by American structuralists in the 1940s. Examples and Observations The effect of suprasegmentals is easy to illustrate. In talking to a cat, a dog or a baby, you may adopt a particular set of suprasegmentals. Often, when doing this, people adopt a different voice quality, with high pitch register, and protrude their lips and adopt a tongue posture where the tongue body is high and front in the mouth, making the speech sound softer.Suprasegmentals are important for marking all kinds of meanings, in particular speakers attitudes or stances to what they are saying (or the person they are saying it to), and in marking out how one utterance relates to another (e.g. a continuation or a disjunction). Both the forms and functions of suprasegmentals are less tangible than those of consonants and vowels, and they often do not form discrete categories. (Richard Ogden,  An Introduction to English Phonetics. Edinburgh University Press, 2009) Common Suprasegmental Features Vowels and consonants are considered as small segments of the speech, which together form a syllable and make the utterance. Specific features that are superimposed on the utterance of the speech are known as supra-segmental features. Common supra-segmental features are the stress, tone,  and duration in the syllable or word for a continuous speech sequence. Sometimes even harmony and nasalization are also included under this category. Supra-segmental or prosodic features are often used in the context of speech to make it more meaningful and effective. Without supra-segmental features superimposed on the segmental features, a continuous speech can also convey meaning but often loses the effectiveness of the message being conveyed. (Manisha Kulshreshtha at al., Speaker Profiling. Forensic Speaker Recognition: Law Enforcement and Counter-Terrorism, ed. by Amy Neustein and Hemant A. Patil. Springer, 2012) Varieties A very obvious suprasegmental is intonation since an intonation pattern by definition extends over a whole utterance or a sizable piece of an utterance...Less obvious is stress, but not only is stress a property of a whole syllable but the stress level of a syllable can only be determined by comparing it with neighboring syllables which have greater or lesser degrees of stress... The American structuralists also treated juncture phenomena as suprasegmental. Differences in juncture are the reason that night rate does not sound like nitrate, or why choose like white shoes, and why the consonants in the middle of pen-knife and lamp-post are the way they are. Since these items contain essentially the same sequences of segments, the junctural differences have to be described in terms of different juncture placement within sequences of segments. In most of these cases, the phonetic realization of the suprasegmental actually extends over more than one segment, but the key point is that, in all of them, the description of the suprasegmental must involve reference to more than one segment.   (R.L. Trask, Language and Linguistics: The Key  Concepts, 2nd ed., edited by Peter Stockwell. Routledge, 2007) Suprasegmental Information Suprasegmental information is signaled in speech with variations in duration, pitch, and amplitude (loudness). Information like this helps the hearer segment the signal into words, and can even affect lexical searches directly. In English, lexical stress serves to distinguish words from each other...for example, compare trusty and trustee. Not surprisingly, English speakers are attentive to stress patterns during lexical access... Suprasegmental information can be used to identify the location of word boundaries also. In languages like English or Dutch, monosyllabic words are durationally very different than polysyllabic words. For example, the [hà ¦m] in ham has longer duration than it does in hamster. An investigation by Salverda, Dahan, and McQueen (2003) demonstrates that this durational information is actively used by the hearer. (Eva M. Fernndez and Helen Smith Cairns, Fundamentals of Psycholinguistics. Wiley-Blackwell, 2011) Suprasegmental and Prosodic Although the terms suprasegmental and prosodic to a large extent coincide in their scope and reference, it is nevertheless sometimes useful, and desirable, to distinguish them. To begin with, a simple dichotomy segmental vs. suprasegmental does not do justice to the richness of phonological structure above the segment;...this structure is complex, involving a variety of different dimensions, and prosodic features cannot simply be seen as features which are superimposed on segments. More importantly, a distinction can be made between suprasegmental as a mode of description on the one hand and prosodic as a kind of feature on the other. In other words, we may use the term suprasegmental to refer to a particular formalization in which a phonological feature can be analyzed in this way, whether it is prosodic or not. The term prosodic, on the other hand, can be applied to certain features of utterances regardless of how they are formalized; prosodic features can, in principle, be analyzed segmentally as well as suprasegmentally. To give a more concrete example, in some theoretical frameworks features such as nasality or voice may be treated suprasegmentally, as having extended beyond the limits of a single segment. In the usage adopted here, however, such features are not prosodic, even though they may be amenable to suprasegmental analysis.   (Anthony Fox, Prosodic Features and  Prosodic Structure: The Phonology of Suprasegmentals. Oxford University Press, 2000)